Wishing you all a safe and happy year in 2021.
Friday, December 25, 2020
Monday, December 7, 2020
In July I attended Polit Uni online and was lucky enough to see Mistress Miriam’s embroidery class. Mamluk and Middle-Eastern embroidery was a new area to me, and I suggested to my local group of embroiderer’s that we challenge ourselves to try some embroidery from this region.
I was particularly taken with this strange looking lion found on a 10-11th Century textile which is now held in the Museum of Fine Arts in Boston https://collections.mfa.org/objects/66368 (Accession Number 31.445, dimensions 11 x 9 cm).
It was found in Mesopotamia but believed to be of Egyptian make. The stitching is predominantly split stitch in silks, highlighted with metallic threads on a cream mulham (silk/cotton) base fabric.
I wasn’t sure if I wanted to use it as decoration on a
pouch, or to decorate a tunic with the design, so I decided to work it in
cotton on a cotton base fabric to see how it looked, and decide then. I used
two threads of DMC cotton and the design was marked out in frixion marker. Originally I planned to use blue thread, but changed to classic black.
Even though the sample is unfilled, it worked up fairly quickly, which actually has done little to solve my dilemma. I think I might work the design as an outline on a tunic because the design is quite striking even as an outline.
I knotted the ends of my threads for durability as the
sample is worked on a napkin which will get thrown in the washing machine.I also did a running stitch in black around the hem of the napkin to finish it off.
Many thanks to Mistress Miriam for sharing her knowledge, and the MFA Boston for their excellent online resources.
Thursday, December 3, 2020
I'm trying to keep track of different types of embroidery motifs for easy reference. Here are some strawberry designs; I plan to keep updating them when I have time.
From 'A Scholehouse for the Needle' (1624):
From 'The Trevellyon Miscellany' (1608):
Monday, November 30, 2020
As with last month, most of my time has been taken up with SCA officer commitments, and the Challenge has been temporarily put aside. I have finally decided on a specific mid-sixteenth century Italian noble lady’s gown, and I will now be using blue cotton drill fabric.
|Add cPaolo Caliari (Veronese), 1561:
Detail from fresco at Villa Barbaroaption|
The pale coat I have already cut out will work well with the blue dress that I am planning, especially as white cutwork sleeves and decorative elements on the bodice and sleeve head will work well. I managed to obtain some white cotton to line the coat, and that has been laundered and is waiting to be cut out and sewn.
The collarless white linen partlet that I have already made will go perfectly with the dress I have chosen, but I have also cut out another in white cotton voile with a lozenge pattern. It has been sewn up with enclosed seams and is waiting for hand hemming.
Cutting out the partlet pieces
The design on the voile fabric