Showing posts with label Italian Renaissance underpinnings. Show all posts
Showing posts with label Italian Renaissance underpinnings. Show all posts

Friday, January 5, 2018

A Cotton Voile Camicia for Hot Weather

I have a lot of mobility and other health issues which can make dressing in late-period attire harder than it has to be. Putting on gowns with attached or pre-tied sleeves can be a real drama for me, especially if my camicia is particularly full. Recently, I had a challenging event coming up, and I had lent a friend my narrow sleeve camicia, so I was in a bit of a bind.

I raided my stash for some very fine voile (it was going to be hot, and heat tends to affect me very badly. Wise heads out there are probably wondering at this point why I haven't changed my persona to early period Roman.....) Luckily, I had some voile, and I cut it into the usual rectangles and triangles patterns  which I have explored earlier on the blog.

Image result for broider me bethan + chemise
The rough chemise pattern that I follow

Image from: http://www.festiveattyre.com/p/how-to-make-easy-italian-chemise .html


This cutting technique is accurate for many garments over hundreds of years (with some variations on size of pieces and gathering and finishing techniques.) It probably remained popular because it is simple and wastes almost no fabric, which would be ideal when fabric was hugely expensive and/or laboriously handwoven.

Because my hands are bad at the moment, I machine sewed the majority of the seams, leaving small gaps where the gores meet that I could neatly hand finish. This was to make sure the edges met up properly and the stitching was neat. I would have liked to turn all the seam edges under and whip them down for durability, but I did not have enough time, so that will be an ongoing project. I used selvages as edges where I could, and used a zigzag machine stitch on any raw edges for strength in the mean-time. Of course, in the sixteenth century, a fine linen such as handkerchief weight linen would probably have been used for this type of undergarment, but budget and availability make that option impossible for me at the moment, so cotton has to do.

I put some gathering stitches in around the neckline (basically just long running stitches done with durable thread) and gathered the neckline up, trying it on to adjust the width. At this point I measured the length band I thought I would need to keep the neckline at the desired width. I planned to use bias tape to finish the neck edge.

Once I started working on the neck edge, I realised that I didn't have enough wide bias tape (called 'hem bias tape' here). I didn't have time to make my own and wasn't well enough to go out and buy a packet, so I made do with what I had. I had the remnants of an old cotton quilt cover that I bought from a thrift store and used to make a nice soft round necked smock early in 2017. I cut a long strip four times the width that I needed. I ironed it in half and then tucked the raw edges up into the centre fold and ironed again. This gave me a nice soft but firm band.

I also decided that I didn't like the way the gathers looked, so I pulled them out and changed to small pleats. I divided the neckline edge into four even sections and then just pinned and adjusted the pleats by eye so that the neckline looked (reasonably!) even, and was the desired size.

Next I sewed the front edge of the neckband on with tiny whip stitches. Once the band was on (and I had tried it on to make sure the size was correct,) I ran a line of green embroidery floss along the edge in running stitch.) No-one will see the edge, but I liked the look of the tiny bit of decoration. It also makes it easier to find the correct camicia or smock when you are looking through a pile of underpinnings. I left the sleeve edges undecorated because the fabric is very fine and the stitches and knots would show through if I rolled up my sleeves.

Once the decoration was done, I finished of the reverse side of the neck edge, whipping it down with tiny hand stitches again and being careful not to let them show through on the front edge.

I found that when I wore the camicia, the neckband feel forward a little. This is due to the band not being cut on the bias and the two differing weights of fabrics. It is still wearable, and doesn't do it quite as much once I have a pair or bodies/stays on over the top. Next time I would probably but some little tucks on the inside of the band to hold it in more if the band was not cut on the bias.

Over the next weeks (realistically, probably months), I will continue sewing down the seams on the inside for durability. I have worn it twice in hot weather and I am glad I went to the trouble of trying the voile. I will certainly make more in this fabric. They probably won't last for years because it is a delicate fabric, but it is worth the time for a bit of heat relief. Heat relief is a prime concern at this time of year - where I am is predicted to hit 43 degrees Celsius tomorrow.



Wednesday, September 13, 2017

Hemming of Body Linens

Today I am hemming body linens again. My furry helper is ill & this sort of sewing is quite soothing. No idea what day I am at now in the second round of the century challenge.


Sewing the enclosed seam flat.







Tacking down the edge of the partlet prior to pinning the second fold into place. Although it seems like extra work, I do it this way because I have a lot of issues with my hands and it hurts to sew. Any extra, uneccessary fabric manipulation just means unnecessary pain.




Thursday, June 22, 2017

A&S Century Challenge - Simple Smock

Today I finally finished doing the seams on my ex-quilt cover, cheap test-run smock. I cut the neckline a bit wide so had to put in a couple of little pleats (which I would probably do again anyway as it sits nicely & is comfortable).
I ended up sewing the hem on the machine. I will re-do it by hand, but I need to wear it on the weekend and won't get time before then. The second hand quilt cover is nice soft fabric and feels cosy. I'm pleased with how neat the felled seams look, and I will definitely put the time and trouble in to do this again on future garments. I suspect that it will prolong the life of the garment too.















Thursday, June 8, 2017

A&S Century Challenge - Seam Treatments

More hemming & seam treatments today.
I used to hate this sort of work, but now I really like it & find it relaxing.
Which is probably great, because I think I have about a million more hours worth to go.



Tuesday, June 6, 2017

A&S Century Challenge - Budget Sixteenth Century Undergarments

I'm still sick, so everything lately has been extra challenging.

On Saturday I went to a scribes meeting and learnt about gilding manuscripts and made a start on a new scroll.

I had an inspiring & productive A&S/training on Sunday, and came home feeling exhausted (but motivated). Lots of follow up stuff to do after that one, including paperwork.

Yesterday I faffed around adapting patterns for a little while; a task I always find challenging.

Today I grabbed a couple of minutes to cut out a test run fitted smock from an old cotton quilt cover. I have always made Italian style camicias, but sometimes they can be a little bulky for more fitted styles of late period clothing. I'm always nervous when cutting fabric, but I'm not worried today because I got this quilt cover at the op shop for $3. I should get 2 undergarments from it.





Image result for tudor tailor smock
I'm looking at making a modified version of (g) - smock with simple hemmed neck and sleeve.
Image from The Tudor Tailor, reproduced at https://s-media-cache-ak0.pinimg.com/564x/a6/9f/58/a69f582207ca2d77815540ae11de6988.jpg

Monday, September 19, 2016

Italian Renaissance Forepart/Chemise Cover

I have been busy working on projects for other people lately, but I recently decided that I needed to put an hour or so aside to make a new forepart/chemise cover. As a bigger busted lady, I prefer to wear a set of short stays under my late period Renaissance dresses. (I am aware that no extant bodies or stays with boning have been found from sixteenth century Italy, and I certainly don't want to open any debate about the likelihood of this being a dress option for ladies at that time.) This choice of underpinnings seems like a logical choice to me, is comfortable and supportive, and gives a nice line to my bodices. Since I often don't have anyone to help me dress, I wear a lot of front lacing gowns, and the forepart/chemise cover hides my underpinnings and gives the look of a chemise poking through the lacing.

Some portraits that inspired this look include:


Portrait of a Venetian Woman by Veronese
Image from: http://bjws.blogspot.com.au/2013/01/portraits-of-women-attributed-to-paolo.html


Portrait of a Venetian Woman by Veronese
Image from: http://bjws.blogspot.com.au/2013/01/portraits-of-women-attributed-to-paolo.html




Portrait of a Lady by Bernardino Licinio
Image from: https://it.wikipedia.org/wiki/Bernardino_Licinio


To make these items I take a rectangle of fabric that corresponds to the front of my bodice, allowing plenty of extra fabric for variations in dress bodices and changes in tightness of lacing depending on the event. I used cotton this time, because I had some scraps in exactly the right size, but I do love using linen. It is nice to sew with, looks good and breathes very well. It is also more likely to have been used in period.

I use a backing piece and then pin a larger piece over the top, pinning the extra fabric into small pleats. I am usually in a hurry when I do these, so I pin by eye and I tend to buzz over the pleats with the sewing machine. I sew around all four edges of the rectangle. Then I pin another rectangle over the top of the pleated piece (good side to good side.) I sew the pieces together with the machine, leaving a small area unsewn for turning. Once I turn it inside out (so that the pleats are back on the outside,) I use a big knitting needle to push the corners out. Then I hand sew the open seam together, usually with a quick whip stitch.


At this point I might add lace or some decorative stitching to the top edge, depending on what I plan to wear the forepart with. I use small dress pins to pin mine on over my stays, lining the top edge up neatly with the chemise and dress. Then the dress bodice is laced over the top as you can see in these pictures



 
  



It is not a fancy or exciting piece of clothing, but it is extremely handy to have. I have a several- they can take a while to dry after washing in colder weather, and it is always nice to have a spare or two in case spills happen. 


At some stage in the future I would like to get time to make some highly decorated foreparts/chemise covers.
Portrait of  A Venetian Woman by Francesco Montemezzano (1550)
Image from: http://bjws.blogspot.com.au/2015/10/a-few-robust-1500s-women.html