Elizabethan, Tudor and Renaissance inspired embroidery, clothing and accessories - historical costuming, embroidery and re-creation
Wednesday, April 25, 2018
Monday, April 23, 2018
Revamping a Second Hand Skirt
Portrait of Infantas Isabella Clara Eugenia and Catalina Micaela 1570
Image from: https://commons.wikimedia.org/wiki/File:Infantas_Isabella_Clara_Eugenia_and_Catalina_Micaela,_1570.jpg
Alonso Sánchez Coello's portrait of The Infanta Isabel Clara Eugenia and Catalina Micaela, 1575
Image from: https://www.museodelprado.es/coleccion/obra-de-arte/las-infantas-isabel-clara-eugenia-y-catalina/739df39f-78e9-4261-af91-149b55547573 via Pinterest https://www.pinterest.com.au/pin/374150681512985632/
Portrait of a Moravian Woman- attributed to Pieter Pietersz the Younger
Image from: https://www.pinterest.com.au/pin/190769734187521657/
Detail of Portrait presumed to be Henrietta Maria of France by French School
Image from: https://www.pinterest.com.au/pin/491736853035824650/
Portrait of an Unknown Girl by School of Bronzino
Image from: www.pinterest.com.au/pin/390546598927323514/
The lines for the tucks marked in chalk. The space between the lines dictates how big the tuck will be.
(One tuck didn't take the skirt up enough so I added another tuck using the same method.)
The underskirt (outside) with the tucks completed
The inside of the underskirt, showing how the tucks lie
The completed tucks hold the skirt out nicely
When the tucks were finished, I added some white ribbon around the hem as a trim.
The stitching lines holding down the white ribbon trim |
I'm pretty pleased with how the whole thing has turned out; the tucks make the skirt bell out nicely.
Wednesday, April 18, 2018
A Plan for A Suite of T- Tunics for a Friend
A friend needed a suite of under tunics and over-tunics so I offered to help. He provided the fabric and I offered to sew and decorate them. It has been a long process; not because the design was difficult or the fabric hard to work with, but because I have been having ongoing sewing machine issues for the last six months or so and my health worse than usual.
The recipient specifically requested traditional SCA-type t-tunics - no gores or gussets, and just the simple t-shaped design that so many SCA participants start out with like the one shown in the image below.
He is a tall guy, so the waste of fabric usually associated with this style of tunic was not really a problem as the sleeves are wide and comfortable and I used the 'waste'side pieces to extend the length of the arms. Fittings and checks happened last year to make sure the design would fit and be comfortable and to meet the recipient's needs. My furry helper also inspected all the fabric (as usual) and deemed it acceptable.
I cut out about six tunics in a variety of fabrics provided by the recipient. There was quite a lot of piecing involved in the sleeve areas. I expect these garments to be heavily hand washed so I enclosed the seams to make them last longer and prevent fraying.
On a more historically accurate tunic (designed with gores) such as the one below
I machine sew the seams and then turn each side of the seam fabric under and hand sew it down.
It is a time consuming process, but makes for neat seams and long-wearing garments. It is also easy because all the shapes are triangles and squares and rectangles with nice straight lines to work with. I couldn't bear to leave the edges zigzagged on these tunics, so I have been sewing the seam excess under. I find this sort of hand work calming, but it really is less so than normal when felling the curve of the seam under the arm. No nice straight lines here, so it is important to allow for the fabric to move and stretch a bit by stretching it as you go and not sewing the seam too tight or using too small stitches. I don't want the seam to rip when he puts his arms up, after all.
The neckline is a simple v-shape with a small hand-sewn rolled hem. The process is essentially what I did recently for the College Newcomer tunics as shown here http://broidermebethan.blogspot.com.au/2018/04/second-newcomers-tunic.html
On most of the tunics, I am at the fun part - decorating! The recipient is an understated guy and is not the type who likes to be in the spotlight, so I have gone for darker and more muted colours. There is not much in the way of good trim available locally, so I originally planned to embroider several of the tunics. A knuckle dislocation in March and subsequent rheumatic hot spot that won't settle have slowed things down even more, so on a couple of the tunics there will be purchased trim. The recipient had some that was gifted to him by a friend, so I will use that. I also found some online that seemed appropriate.
Several of the plain coloured tunics will have embroidery. I have a nice design of interlocking knots coming along veeeery slowly, and plans for another design incorporating the recipient's heraldry. There is a lovely wool waiting to be made up also (I'm saving that until last because I am always afraid to cut expensive fabric, even after all this time!), which would look great with a design based on one of the Mammen textile designs, below
Of course, I will post pictures when they start to get finished. You know, I still find it nerve-wracking making items for other people, even after all this time. Male garments are especially stressful, because my experience is mainly with female late period clothing and accessories. I would like to branch out in future with more complicated male clothing, but the idea is very daunting especially as I really only have made t-tunics for men before.
The recipient specifically requested traditional SCA-type t-tunics - no gores or gussets, and just the simple t-shaped design that so many SCA participants start out with like the one shown in the image below.
Image from: https://www.pinterest.com.au/pin/570901690249020212/ |
I cut out about six tunics in a variety of fabrics provided by the recipient. There was quite a lot of piecing involved in the sleeve areas. I expect these garments to be heavily hand washed so I enclosed the seams to make them last longer and prevent fraying.
On a more historically accurate tunic (designed with gores) such as the one below
Tunic pattern from: https://www.pinterest.com.au/pin/460282024388882275/ |
It is a time consuming process, but makes for neat seams and long-wearing garments. It is also easy because all the shapes are triangles and squares and rectangles with nice straight lines to work with. I couldn't bear to leave the edges zigzagged on these tunics, so I have been sewing the seam excess under. I find this sort of hand work calming, but it really is less so than normal when felling the curve of the seam under the arm. No nice straight lines here, so it is important to allow for the fabric to move and stretch a bit by stretching it as you go and not sewing the seam too tight or using too small stitches. I don't want the seam to rip when he puts his arms up, after all.
The neckline is a simple v-shape with a small hand-sewn rolled hem. The process is essentially what I did recently for the College Newcomer tunics as shown here http://broidermebethan.blogspot.com.au/2018/04/second-newcomers-tunic.html
On most of the tunics, I am at the fun part - decorating! The recipient is an understated guy and is not the type who likes to be in the spotlight, so I have gone for darker and more muted colours. There is not much in the way of good trim available locally, so I originally planned to embroider several of the tunics. A knuckle dislocation in March and subsequent rheumatic hot spot that won't settle have slowed things down even more, so on a couple of the tunics there will be purchased trim. The recipient had some that was gifted to him by a friend, so I will use that. I also found some online that seemed appropriate.
Several of the plain coloured tunics will have embroidery. I have a nice design of interlocking knots coming along veeeery slowly, and plans for another design incorporating the recipient's heraldry. There is a lovely wool waiting to be made up also (I'm saving that until last because I am always afraid to cut expensive fabric, even after all this time!), which would look great with a design based on one of the Mammen textile designs, below
Image from: https://www.pinterest.com.au/pin/335588609710150485/ |
Tuesday, April 17, 2018
SCA Swap and Sell Day
A friend of mine recently organised a Swap and Sell day at my local A&S training. People brought along old garb, jewellery, half finished projects, unwanted feasting gear, fabric, leather, threads- anything pertaining to the SCA or useful in any way. Wow! What a fun day it turned out to be! People were excited to get a bargain or clear out old bits and pieces. New people and older players stood around chatting about future projects, ideas and failed attempts. Low prices encouraged people to buy resources for attempts at new skills without worrying about wasting too much money if the project didn't work out. People tried on garb outside their comfort zone and were inspired to try something new. What a great way to get people inspired and talking about the arts and sciences. And get some bargains to boot!
Tuesday, April 3, 2018
Second Newcomer's Tunic
A second t-tunic for the College newcomers, based on the same basic pattern (below).
A pattern such as the one below would be more authentic and waste less fabric, but also take longer to make up, and time was something that was in short supply with this project as the tunics were needed for a newcomers event in a couple of days.
This tunic was made at the same time and in the same way as the one that I posted about yesterday. The sleeves were pieced from scraps as the fabric was not wide enough to allow for sleeves and I wasn't sure that newcomers would be wearing undertunics, so longer sleeves were needed.
Wherever possible I enclosed the seams so that the tunic would last longer. The guide below explains the process:
The neckline was finished with a handsewn rolled hem.
When finished, I saw a bit of a problem with the bright fabric- the garment was looking alarming like a soccer guernsey. I was on a very tight time deadline and I was pretty desperate. I decided to stencil or stamp a design.
I had some woodblock stamps that I had never used, and gave them a try. I had trouble matching up the design and very quickly realised that I didn't have time to master a new skill with the deadline looming. Also there was a lot of potential for things to go disastrously wrong very quickly.
The design looked OK but needed a yellow dot in the centre to break the design up a bit.
I put quatrefoils on all the green bands (arms and hemline).
Image from: https://www.pinterest.com.au/pin/570901690249020212/ |
Tunic pattern from: https://www.pinterest.com.au/pin/460282024388882275/ |
This tunic was made at the same time and in the same way as the one that I posted about yesterday. The sleeves were pieced from scraps as the fabric was not wide enough to allow for sleeves and I wasn't sure that newcomers would be wearing undertunics, so longer sleeves were needed.
Wherever possible I enclosed the seams so that the tunic would last longer. The guide below explains the process:
Image from https://www.pinterest.com.au/pin/200410252144075736/ |
The neckline was finished with a handsewn rolled hem.
When finished, I saw a bit of a problem with the bright fabric- the garment was looking alarming like a soccer guernsey. I was on a very tight time deadline and I was pretty desperate. I decided to stencil or stamp a design.
I had some woodblock stamps that I had never used, and gave them a try. I had trouble matching up the design and very quickly realised that I didn't have time to master a new skill with the deadline looming. Also there was a lot of potential for things to go disastrously wrong very quickly.
Next I drew a quatrefoil design on a piece of cardboard and cut the design out with a craft knife. I used a removable pen to mark the design at measured intervals and painted it in with craft paint mixed with a fabric fixative to make it washable.
The design looked OK but needed a yellow dot in the centre to break the design up a bit.
I put quatrefoils on all the green bands (arms and hemline).
The finished tunic. The colours are not to my taste, but I worked with what I had available and the garment should last reasonably well and be easy to care for.
Monday, April 2, 2018
Sewing for Newcomers' Month
March was SCA Lochac Newcomers' Month, and as part of the festivities I went to my local College group to teach a basic garb making class. I had a big box of donated fabric scraps and some purchased fabric and unfortunately no attendees as everyone wanted to learn rapier. So I busied myself making some scraps into t-tunics for newcomers. I ran out of time and took some projects home, thinking it would be a quick job. Which it probably would have been if my sewing machine had not decided to break down! I have more to do at a later time when my machine is fixed.
Basic t-tunic pattern from https://www.pinterest.com.au/pin/570901690249020212/
Putting all the pieces together
Hand sewing a narrow rolled hem for the neckline
The finished tunic ready to go back to the College
Sunday, April 1, 2018
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