Blue T-Tunic with Knotwork Embroidery

Here is another t-tunic from the suite I mentioned in  the last post. It is a blue cotton base fabric with white and green embroidery incorporating  the recipient's heraldic elements.

The majority of the stitching is done in split stitch with a small amount of double running (Holbein) stitch.

The stitching was traced out using a chalk sheet and worked in DMC floss.

I started the embroidery on the weekend that my dog got sick - I got the phone call to say that she had been admitted while I was working on it. I originally planned to do the embroidery on a smaller scale around the arms as well, but working the design had so many sad emotions associated with it that I did an alternative decoration.

The tunic had big seams sewn by machine, with all the hems and necklines sewn by hand. I try and (at least) finish everything by hand, even if I don't have time to entirely sew everything by hand.

I like to draw marks on my fingers to help me get the stitches even when I do running stitch as a hem decoration.

I tried a green running stitch on top of the bias decoration on the arms, but didn't like it.

The blue tunic worn over another grey undertunic that I made. The tunics were all designed to be interchangeable wardrobe pieces and many can be layered.

Split-stitch Celtic Motif

I was given a book of Celtic animal motifs at Easter, and the recent embroidery efforts of some of my SCA friends inspired me to try one in split stitch on a linen band.

I traced the motif out with craft carbon and started sewing the sections in split stitch. The stitch direction followed the shape of the animals' muscles. I used DMC cotton floss instead of silk to save money. The base fabric is linen.

 

Part way through the project I was finding it very difficult to keep track of where I should be sewing as the carbon started to fade. So I went over the outlines in black split stitch and then just went back and filled the sections. Much easier!

 

I added some highlights around the face and feet. The head curls look white in the photo but are actually a very pale green. 

 

I used this piece as a 'sampler' to develop my skills in a technique that I am not very experienced in. It was very time consuming and challenging to keep the stitch tension correct, but I am pleased with the result and can already see more split-stitch projects on the horizon. The resulting piece has a pleasing weight and texture and would look good as an applied motif on clothing.