Wishing you all a safe and happy year in 2021.
Elizabethan, Tudor and Renaissance inspired embroidery, clothing and accessories - historical costuming, embroidery and re-creation
Thursday, December 31, 2020
Friday, December 25, 2020
Monday, December 7, 2020
Seljuk Lion Embroidered Napkin
In July I attended Polit Uni online and was lucky enough to see Mistress Miriam’s embroidery class. Mamluk and Middle-Eastern embroidery was a new area to me, and I suggested to my local group of embroiderer’s that we challenge ourselves to try some embroidery from this region.
I was particularly taken with this strange looking lion found on a 10-11th Century textile which is now held in the Museum of Fine Arts in Boston https://collections.mfa.org/objects/66368 (Accession Number 31.445, dimensions 11 x 9 cm).
It was found in Mesopotamia but believed to be of Egyptian make. The stitching is predominantly split stitch in silks, highlighted with metallic threads on a cream mulham (silk/cotton) base fabric.
I wasn’t sure if I wanted to use it as decoration on a
pouch, or to decorate a tunic with the design, so I decided to work it in
cotton on a cotton base fabric to see how it looked, and decide then. I used
two threads of DMC cotton and the design was marked out in frixion marker. Originally I planned to use blue thread, but changed to classic black.
Even though the sample is unfilled, it worked up fairly quickly, which actually has done little to solve my dilemma. I think I might work the design as an outline on a tunic because the design is quite striking even as an outline.
I knotted the ends of my threads for durability as the
sample is worked on a napkin which will get thrown in the washing machine.I also did a running stitch in black around the hem of the napkin to finish it off.
Acknowledgements
Many thanks to Mistress Miriam for sharing her knowledge, and the MFA Boston for their excellent online resources.
Thursday, December 3, 2020
Embroidery Designs - Strawberries
I'm trying to keep track of different types of embroidery motifs for easy reference. Here are some strawberry designs; I plan to keep updating them when I have time.
From 'A Scholehouse for the Needle' (1624):
https://trc-leiden.nl/trc-needles/texts-films-customs-and-event/designs-and-design-books/schole-house-for-the-needle
From 'The Trevellyon Miscellany' (1608):
https://en.wikipedia.org/wiki/Trevelyon_Miscellany_of_160
https://folgerpedia.folger.edu/Word_%26_Image:_The_Trevelyon_Miscellany_of_1608
Monday, November 30, 2020
Calontir Clothing Challenge - end of Nov 2020 Update
As with last month, most of my time has been taken up with SCA officer commitments, and the Challenge has been temporarily put aside. I have finally decided on a specific mid-sixteenth century Italian noble lady’s gown, and I will now be using blue cotton drill fabric.
Add cPaolo Caliari (Veronese), 1561:
Detail from fresco at Villa Barbaroaption |
The pale coat I have already cut out will work well with the blue dress that I am planning, especially as white cutwork sleeves and decorative elements on the bodice and sleeve head will work well. I managed to obtain some white cotton to line the coat, and that has been laundered and is waiting to be cut out and sewn.
The collarless white linen partlet that I have already made will go perfectly with the dress I have chosen, but I have also cut out another in white cotton voile with a lozenge pattern. It has been sewn up with enclosed seams and is waiting for hand hemming.
Cutting out the partlet pieces
The design on the voile fabric
Partlet pieces waiting to be sewn
The partlet ready to be hand finished and hemmed
I would also like to make a net partlet out of ribbon, but that is likely to be time-consuming and the voile partlet will be a good stand-in if I don’t get it done in time. I am considering using grey or silver net instead of white (as in the original portrait) because my dress fabric is a darker blue.
I got an aqua blue underskirt cut out and partially sewn. It has been flat pleated into a band. I wanted volume without too much bulk as sometimes I wear several underskirts at once. The first lot of pleats I used were too big, so I pulled them out and did the pleats half as small again, which looked much better. The skirt is hanging to let the fabric drop, and will be hand finished and hemmed next month. I am considering adding a heraldic element also; possibly seahorses around the hem.
Underskirt fabric ready to be cut
Seams ready to be hand sewn
Marking out the gathering lines
The first pleats were too big
Smaller gathers made nicer pleats
Pinning pleats into place to check how they look
I was happy with the pinned pleats